Sunday, January 30, 2011

Lavitt gallery student of the year exhibiton

Feb 1st - 12th


Student of the Year ExhibitionPam Carroll & Áine Maher  
For over 40 years, The Student of the Year Award has been given by the Lavit Gallery to a graduate of the Crawford College of Art and Design, who shows promise and potential. Past recipients of this award have included - John Burke, Eilis O' Connell, Vivienne Roche, Maud Cotter and Bridget Flannery to name but a few. In 2010, the decision was made to jointly nominate Pam Carroll and Áine Maher for this award, which takes the form of an exhibition at the gallery, (from which no commission is taken on sales) and a cash prize sponsored by Parfrey Murphy & Co. Chartered Accountants.  The exhibition by the latest recipients of the award will be officially opened at the Lavit Gallery on February 1st by Liz Meaney - Cork City Arts Officer.
Having moved to Ireland in 2004, Pam Carroll's entry into art college followed a long marketing career in England, where she originates from. Carroll's sculptural work explores the human conscience, which she believes is at the very core of Man. She works with a range of materials and found objects as diverse as lead, wire, monkey fur, leather and pigment, evoking tension by combining materials which are often at odds with each other. She explains how the use of metal in her work, lead in particular, "has taken on the role of containment: of a skin in either holding in or shutting out the world around it." Since graduating in June her work has been acquired by both the Office of Public Works and Europol (the Law enforcement agency of the European Union) for their headquarters in the Hague. This latter acquisition was in the form of a purchase prize, awarded after a Europe wide competition.
Áine Maher's work is lens based but also engages with both painterly and sculptural elements. Light, line and plane are used to impart space while physical three dimensional elements are often used to accentuate the form.  The imagery used moves between that of the domestic interior and the architectural, while having an atmospheric ambiguity. She describes her minimal work as "aspiring to rouse contemplative solitude".  In a review of the 2010 CCAD Degree show, the critic Aidan Dunne marked her out for special attention - saying  If the phrase "the poetics of space" didn't exist, one would have to invent it to describe her work, which is exceptionally well-judged, subtle and persuasive. Her work has been acquired by both the Office of Public Works and the Cork Institute of Technology.
Usually held in early autumn, the moving of this annual exhibition to February will afford recent graduates more working time between their end of year degree show and this their first professional exhibition. We look forward to what promises to be a very interesting show, which will provide us with an opportunity to see and support the work of these artists, at the beginning of what will I'm sure be long and successful careers.





Sunday, January 16, 2011

Previous winners and prizewinners of the John Moore Painting Prize

Prizes and prizewinners


'Peter Getting Out Of Nick's Pool' by David Hockney, winner in 1967

The John Moores exhibition's entry criteria, award structure and prize money have changed regularly over the years. Until 1965 (although not every year) as well as an Open painting section there were categories for sculpture, French and ‘Junior’ artists (originally up to 36 years old but lowered to 25 in 1963). From 1969 ‘sculptures, kinetics, watercolours and graphic arts’ were firmly excluded in favour of painting. Each category had its own prize structure but every exhibition had an overall main prize, representing a significant achievement for the winner. Since 2002 the prize structure has been simplified to award fewer prizes but of higher value.
‘Purchase prizes’ were a particular feature until 2004.In their simplified form, in addition to the artist winning the prize money, the winning work(s) became the property of John Moores. On several occasions, but not always, these were then gifted by him to the Walker Art Gallery. The Gallery also made additional acquisitions from the exhibitions.
In 2004 the Purchase prize was abandoned in favour of the Gallery having the option to buy the prizewinning work, representing ‘added value’ to the artists, who receive the prize money plus the purchase price of their painting.
Since 1957, 19 winners of the main prize and 52 further works have been acquired for the Walker’s collection.
The roll-call of past John Moores prizewinners reads like a ‘who’s who’ of British painting over the past 50 years.

Peter Doig Blotter

Chris Ofili

Chris Ofili
Tate Britain 27 January  –  16 May 2010

About the exhibition


'Hip, cool and wildly inventive' - The Guardian
'You can’t fail to be entertained' - The Times
'Modern Master of radiant colour' - Daily Telegraph
Chris Ofili’s intensely coloured and intricately ornamented paintings are on show at Tate Britain in a major survey of the artist’s career that brings together over 45 paintings, as well as pencil drawings and watercolours from the mid 1990s to today. One of the most acclaimed British painters of his generation, Ofili won the Turner Prize in 1998 and represented Great Britain at the 50th Venice Biennale in 2003.
Ofili has built an international reputation with his works that bridge the sacred and the profane, popular culture and beliefs. His exuberant paintings are renowned for their rich layering and inventive use of media, including balls of elephant dung that punctuate the canvas and support them at their base, as well as glitter, resin, map pins and magazine cut-outs.
Ofili's early works draw on a wide range of influences, from Zimbabwean cave painting to blaxploitation movies, fusing comic book heroes and icons of funk and hip-hop. For the first time, these celebrated paintings are presented alongside current developments in his practice following his move to Trinidad in 2005. While adopting a simplified colour palette and pared-down forms, his recent works continue to draw on diverse sources of inspiration, and are full of references to sensual and Biblical themes as well as explore Trinidad’s landscape and mythology.
Definite highlights include No Woman, No Cry, 1998, a tender portrait of a weeping female figure created in the aftermath of the Stephen Lawrence inquiry and The Upper Room 1999–2002, a darkened, walnut-panelled room containing thirteen canvases depicting rhesus macaque monkeys. Each is differentiated in bold colours, and individually spot-lit. 





Chris Ofili: When the Shit Hits the Man


Chris Ofili, No Woman, No Cry, 1998
Acrylic paint, oil paint, polyester resin, paper collage, map pins, elephant dung on canvas; 243.8 x 182.8 x 5.1cm






Saturday, January 15, 2011

Some information on Glasgow School of Art- Taken form its website http://www.gsa.ac.uk/

Welcome to The Glasgow School of Art, internationally recognised as one of Europe's foremost university-level institutions for creative education and research. 

Department of Fine Art

Flexible and alert to the changes in our world and the intertwined relationship between learning, teaching, practice and research, our students are encouraged to formulate an individual vision of the world, whether intuitive or historical and theoretically conscious and through a common visual language share this with others.  The result is a School that is creative, dynamic, relevant and definitely not standing still - welcome to the School of Fine Art.

POSTGRADUATE STUDIES
The School of Fine Art has an established and internationally respected postgraduate programme and exciting plans for the development of new programmes over the next few years.

Students joining the School of Fine Art masters or doctoral programmes, not only become part of one of the most exciting School's of contemporary fine art practice, but also part of the wider postgraduate community within the Glasgow School of Art.  Studies at postgraduate level provide support for students pursuing dedicated specialised studies and a multidisciplinary approach.

The School of Fine Art's research standing is high, with staff being teachers, researchers and practioners.  Research-active staff within SoFA includes Christine Borland, Julie Roberts, Ross Sinclair, Edward Stewart, Stephanie Smith, Alan Currall, Francis McKee and Thomas Joshua Cooper. 

MASTER OF FINE ART
Welcome to the Master of Fine Art at The Glasgow School of Art.

Our MFA programme was establsihed in 1988 and has achieved international recognition as a centre of excellence in postgraduate education in the visual arts. The course occupies a unique and influential position within the extraordinary dynamic that characterises the visual art community in Glasgow. It plays a pivotal role in the education, support, and promotion of artists who have chosen to study and practice in the city.

Throughout the 1990s, the City of Glasgow witnessed an explosion of activity in the visual arts. Artists, critics and curators from all over the world have visited Glasgow to see for themselves what curator Hans Ulrich Obrist has termed 'the Glasgow miracle'. There are many young practicing artists working in Glasgow who have helped shape a thriving creative community generating artist-led initiatives, permanent and temporary gallery spaces, and innovative approaches to public and site specific work.

In addition the Master of Fine Art has developed a wide range of international links and formal exchange agreements with other prestigious art schools and MFA students have been invited to participate in numerous international exchange exhibitions: Berlin, Brussels, Chicago, New York, Budapest. Stockholm, Kyoto, Beijing and this year, Amsterdam and Denmark (Museum of Contemporary Art, Rosskilde) Also, students on the MFA may opt to participate in international exchange in Term 1 of the second year.

Hughie O'Donoghue Video



Baia, 2002

Selection of hung paintgs (Yellow man Series)

                                                         Blue Crucifixion 1993- 2003

Video featuring Albert Irvin from tateshots

Albert Irvin- British abstract painter, born 1922

Albert Irvin RA, Beckett
Albert Irvin RA, Beckett


Albert Irvin standing in front of Nicholson 1989